Download PDF Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero

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Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero

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From Publishers Weekly

Starred Review. While most vegan cookbooks are anemic, underfed volumes-some no-brainer pasta recipes, a few things to do with tofu, maybe some oddball desserts-this slam-bang effort from vegan chefs Moskowitz and Romero (Vegan with a Vengeance) is thorough and robust, making admirable use of every fruit and vegetable under the sun, without once asking readers to make do with fake meat products and egg replacements. Instead, the eccentric authors offer dozens of novel, delicious ways to get excited about eating meat-, dairy- and egg-free. Take Southwestern Corn Pudding, a winning casserole rich with coconut milk and an unexpected dash of maple syrup-a likely MVP at your next Thanksgiving (whether it's centered around turkey or tofu). Almost as addictive are Rustic White Beans and Mushrooms, which get their bite from fresh herbs, and Lentils and Rice with Caramelized Onions and Spiced Pita Crisps, a transcendent Middle Eastern comfort food. Vegan breakfasts get overdue attention: sitting in front of a hot stack of velvety Blueberry Corn Pancakes and hearty Blue Flannel Hash, who's going to miss the bacon? Best of all is the wide selection of terrific desserts: everything from Chewy Oatmeal Raisin Cookies to decadent Caramel-Apple-Spice Cupcakes boldy fill the space where most eggless, milkless and butterless cookbooks fear to tread. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"Spending time with [Moskowitz's] cheerfully politicized book feels like hanging out with Grace Paley. She and her cooking partner, Terry Hope Romero, are as crude and funny when kibitzing as they are subtle and intuitive when putting together vegan dishes that are full of non-soggy adult tastes. Do look for an excellent roasted fennel and hazelnut salad, bok choy cooked with crispy shallots and sesame seeds, hot and sour soup with wood ears and napa cabbage and a porcini-wild rice soup they say is 'perfect for serving your yuppie friends.'"-New York Times Book Review"Exuberant and unapologetic, Moskowitz and Romero's recipes don't skimp on fat or flavor, and the eclectic collection of dishes is a testament to the authors' sincere love of cooking and culinary exploration."-Saveur"[T]his slam-bang effort from vegan chefs Moskowitz and Romero is thorough and robust, making admirable use of every fruit and vegetable under the sun."-Publishers Weekly"Full of recipes for which even a carnivore would give up a night of meat."-San Francisco Chronicle"It's no shocker that the very same urban chefs who had you inhaling vegan butter-cream frosting during your free time have crafted the next revolution in neo-vegan cuisine."-Philadelphia City Paper"Veganomicon not only offers tons of mouth-watering ways to put 'veg' back into your vegan diet with actual produce, but also tutorials that gave me confidence to start improvising on my own."-Bust"Veganomicon is user-friendly, packed with tips and instructions for a wide range of cooking techniques."-New York Sun"The Betty Crocker's Cookbook of the vegan world. It's one more step in the quest to prove that vegan food really doesn't taste like cardboard when you know what you're doing."-Bitch"Seriously good with broad appeal."-Washington Post"These two very real and very sassy food-obsessed women have put together a cookbook that you wish your mom cooked from when you were growing up. The recipes are seriously delicious and, for the most part, uncomplicated." ―Buffalo Spree

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Product details

Hardcover: 336 pages

Publisher: Da Capo Lifelong Books; First Edition (2nd printing) edition (November 2, 2007)

Language: English

ISBN-10: 156924264X

ISBN-13: 978-1569242643

Product Dimensions:

8.8 x 1.2 x 10.2 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

1,079 customer reviews

Amazon Best Sellers Rank:

#39,024 in Books (See Top 100 in Books)

I am new at the vegan game and hoped to get an easy and simple start. The book hype indicated that menus were included so it sounded like just a perfect match for a newbie. Before I adopted Veganism I had been using the South Beach plan which included weeks of daily menus. I expected the same from this book when I saw that it supposedly contained menus. Well, there are no daily menus. Strike one.Next, I picked out some recipes that seemed worth trying. I took a day off to shop for the ingredients of which many were complete strangers to my repertoire of stored food and spices. Between several grocery stores and a health food store I was able to purchase most of the ingredients by stopping at the bank and taking out a second mortgage to pay for these outrageously priced items. I took another day off to prepare two of the recipes. I have now used two days for merely acquisition and preparation. Strike two.I decided that the hours of standing in the kitchen would be rewarded with the consumption of the two recipes I had prepared. I was excited to embark on this new journey and the anticipation of consuming what the book described as delicious entrees was at a high level. I dug into my work results and learned with clarity what the taste of swill was like. Strike three. Veganomicon is out.I went back and read some of the other reviews. One lady recommended two other books and she received favorable comments for her suggestions. I am going to buy those books and hope for better results.

I love Isa Chandra Moskowitz and Terry Hope Romero, I think they’re wonderfully creative and imaginative cooks. I own all of their books, and most of those books I use regularly, but I have to say Veganomicon is not one that I use often. Simply put I don’t love it, and it’s not because the recipes aren’t good - virtually all of the ones I’ve made so far have been stellar - my biggest complaint is the layout. I hate it, The pages of this book are busy to the point of overflowing with ingredients, instructions and tips. Don’t get me wrong I have no qualm with long ingredient lists, and I love the helpful tips but each page has at least 2 recipes on it. I hate the way the recipes are split over more then one page as this can make it difficult when actually trying to follow the recipe in the kitchen. It may seem silly, but this really is the sole reason that I rarely use the book. If it had a better layout I’d probably use it a lot more. Other negative points that some people may be interested in are there is a real lack of photos in the book - just a color photo insert in the center - and there is no nutritional information listed for the recipes. Also some of the recipes seem needlessly long or overly complicated with several time consuming steps.Having said that there are a lot of positives about the book as well. For one it’s a tome, massive, and filled to the brim with tasty recipes for appetizers, soups, salads, dressings, sauces, proteins, one-pot meals, casseroles, grains, vegetable side dishes, and desserts. There’s also a large section in the front of the book that details basic cooking techniques, how to fill your vegan pantry, what utensils and cooking equipment is best and general tips on prepping and cooking various vegetables, grains etc... As I said early most recipes also include an additional hint about an ingredient, a cooking method, or what else can be done with the finished product. I got my copy of Veganomicon in 2010 when I was relatively new to veganism and I did find much of this information very helpful. Moskowitz and Romero also make cooking seem effortless, they have a really easy-going down to earth writing style that I appreciate, and I love their sense of humor. I also really appriciate their emphasis on whole foods rather then processed foods. They include a few recipes for making your own seitan, tofu mayo, and other vegan staples.Unfortunately though many of the dishes sound delicious I haven’t cooked as many recipes from this book that I’d like. Of the ones I have tried here’s what I thought...Spicy Tempeh Nori Rolls - Loved it!Grilled Yuca Tortillas - Loved it!Butternut Squash and Pumpkin Seed Rice Paper Rolls - Loved itSamosa Stuffed Baked Potatoes - Loved itCurried Carrot Dip - Loved itWalnut Mushroom Pate - Loved itMediterranean-Style Cashew-Cucumber Dip - Loved it, this is seriously the best Tzatziki dip I’ve had vegan or otherwise. A definite Go-To recipe for me.Asparagus Spinach Dip - Loved itChocolate Chip Brownie Waffles - Pretty goodBlueberry Corn Pancakes - Loved itAutumn Root Salad with Warm Maple Fig Dressing - Pretty goodCreamy Asian Pear and Tempeh Salad with Wasabi Dressing - Hated it! Totally inedible.Maple-Mustard Dressing - Loved itSnobby Joes - Loved itChili Cornmeal Crusted Tofu Po’Boys - Loved itSauteed Spinach and Tomatoes - Loved itBroccoli Polenta - Just okay.Chili Cornmeal Crusted Tofu - Loved itMarinated Asian Tofu - Loved itChickpea Cutlets - Just okayTomato Rice Soup with Roasted Garlic and Navy Beans - Pretty GoodPotato and Kale Enchiladas with Roasted Chili Sauce - Loved itEggplant-Potato Moussaka with Pine Nut Crema - Loved itTempeh Shepherdess Pie - OkayManzana Chili Verde - Loved itLeek and Bean Cassoulet with Biscuits - Loved itPumpkin Saag - Just okaySpicy Tempeh and Broccoli Rabe with Rotelle - Loved itPasta e Fagioli- Loved itPumpkin Baked Ziti with Caramelized onions and Sage Crumb Topping - Pretty goodGreen Pea and Lemon Risotto with Roasted Red Peppers - Loved itSkillet Cornbread - Loved itBanana Wheat Germ Muffins - Loved itCarrot Pineapple Sunshine Muffins - Loved itPistachio Rosewater Cookies - Loved itChocolate Chocolate Chip Walnut Cookies - Loved itPeanut Ginger Sesame Cookies - Loved itFudgy Wudgy Blueberry Brownies - AMAZING!Coconut Lemon Bundt Cake - Loved itOverall the recipes have been really great, and if the book had a better layout I’d probably be more inclined to use it more frequently. As is this probably wouldn’t be the first book I’d recommend to a newbie vegan, but I think a lot of seasoned vegans would really enjoy this book, especially for it’s creativity - provided of course they don’t hate the layout as much as I do.

I love this book! My girlfriend and I officially started the wonderful journey of becoming vegan in December 2013. We both had a moderate interest in cooking, but when it came to purely plant based diets, we were complete noobs. We were clueless and hungry, but all we knew was that we no longer wanted to have anything to do with the commoditization and consumption of animals. We bought a cheap 2 dollar recipe book, but we wanted more! Where were we to start looking for a real quality vegan cook book? Why, the same place I look for anything these days, Amazon!I looked at many different cookbooks, but this one seemed to be one of the highly rated/recommended of the bunch. And when I saw that it had a great recipe for black bean burgers I couldn't refuse. We've been using this book constantly ever since. Our copy certainly has gotten it's fair share of pasta sauce splattered on it from the many times we've made spaghetti and bean balls.This book is great both for beginners and seasoned vegan chefs alike. Most everything in this book can be made with simple ingredients you can find probably already sitting in your kitchen, not too many expensive specialty ingredients are needed... unless you count beans as a specialty ingredient (I swear, I eat other foods besides beans!) and a great deal of the recipes seem to be "accidentally" vegan, that is to say, your average omnivore would scarf down a few plates without even thinking about where he is going to get his precious protein from!All in all, this is a great book for any compassionate consumer, with plenty of recipes to keep us vegans plump and happy for many years to come!

This cookbook is phenomenal. I've tried being vegan before and found myself subsisting on a lot of grilled vegetables. I didn't really understand how to adopt the new cooking methods and flavor profiles I would need to making eating vegan interesting and enjoyable. I reverted back to vegetarianism. This time, a visit to The Gentle Barn (Google it. It's amazing.) strengthened my resolve. This book us by far my favorite resource. It covers basic cooking techniques all the way through show-stopping recipes you can use to dazzle non vegans too. It's written it a funny and cool voice do it's also enjoyable to just read through when you're not looking for a specific recipe just to get ideas. I can't say enough good things about it.

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Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero PDF

Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero PDF

Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero PDF

Veganomicon: The Ultimate Vegan Cookbook, by Isa Chandra Moskowitz Terry Hope Romero PDF

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PDF Ebook , by Kent Greenfields

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File Size: 1559 KB

Print Length: 165 pages

Publisher: DKNet Publishing (October 29, 2015)

Publication Date: October 29, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B017DS5A2E

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Get Free Ebook Do Muslim Women Need Saving?, by Lila Abu-Lughod

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Review

[A] beautiful book... It is a riveting account by an academic who has spent many years observing women in the Middle East and the West, and adeptly wears several hats as an anthropologist and professor in women's studies. Abu-Lughod is a great listener and a sharp observer of everyday life. She understands the struggles, joys and jealousies of Middle Eastern women and has an ear for the stories that do not make headlines. Refusing to treat Muslim women as a category, she focuses on nuances and complexities. Where others see an undifferentiated mass of individuals, she sees real women with real stories... There are Islams, just like there are Judaisms, Christianities and Hinduisms. We need to make the word plural to understand the wide variety of practices and power relations. And Lila Abu-Lughod's Do Muslim Women Need Saving? does precisely that with its captivating approach.-- (12/01/2013)Every page contains a fresh riposte to easy cultural or religious explanations for women's oppression... Do Muslim Women Need Saving? is the result of many years' rumination over contemporary feminist debates in the developing world... In this volatile debate Lila Abu-Lughod frequently reminds her readers that she writes 'as an anthropologist.' In keeping with this role, she offers no simple remedy for female suffering abroad; nor does she condone the shrug that dismisses distant injustices as 'just their culture.' Instead, she offers an injunction to look and listen carefully for suffering at home as well as overseas, and to examine 'our own responsibilities for the situations in which others in distant places find themselves.'--Nabeelah Jaffer"Times Literary Supplement" (04/25/2014)Saving Muslim women is now a global undertaking in which the participants are both Muslim and non-Muslim. Lila Abu-Lughod's book is a critical reflection on this mushrooming industry, and its representatives, representations and bureaucracy... Abu-Lughod succeeds in...exposing several stubbornly persistent myths. She critically assesses the vast number of sensational representations of women, written by Muslims and others, about the general repression in a so-called IslamLand. She follows the trail of global feminism in the extensive bureaucracy, institutions and non-governmental organizations that have emerged since the 1990s, all claiming to save Muslim women... Her focus on analyzing how individual Muslim women experience freedom, rights and constraints brings a much-needed perspective... She offers a panoramic view of women's multiple experiences in their own contexts, thereby dismissing sweeping generalizations about these women being a homogeneous oppressed mass. She urges us to look at contexts shaped by global politics, international capital and modern state institutions that all contribute to changing landscapes of family and community. Abu-Lughod reminds us that rights may be universal but above all they are projects bounded by political contexts, institutions and language... This book is destined to unsettle the convictions of those concerned with saving Muslim women. Many will find it shocking for its uncompromising critique of recent moral crusades, while careful readers will doubtless find in it enough ammunition to deconstruct projects that may seem worth pursuing, but ultimately are not as focused on improving women's lives in faraway places as they first appear. Abu-Lughod dissolves geographical boundaries, exposes the limits of global morality, and deconstructs the international power context that allows Muslim women to remain that distant voiceless other, awaiting intervention. It invites us to think not only about dominant representations of Muslim women in images and words, but also about our own engagement with the other, which has always taken place in an unequal context.-- (11/07/2013)There is an ethical dimension to [Abu-Lughod's] attention to the particularities and complexities of difference between women of different countries, social backgrounds and cultures, and even within cultures she's always attuned to the differences brought about by class and economic background...Through her in-depth demolition of the new moral crusades brought on by the genre of 'gendered Orientalism' in the pulp nonfiction of books by 'insiders, ' i.e., Muslim women who threw off their shackles or who tore off their veils and ran away from their oppressive Muslim homes in order to live the precise kind of life lived by a certain class of Western woman in urban areas, Abu-Lughod zeroes in on the treacherous hypocrisy of the seemingly well-read and well-educated class of progressive Westerners.-- (02/21/2014)Some of the most rewarding material in Do Muslim Women Need Saving? examines the obsession with constraint that counterposes perceptions of Muslim women to Enlightenment ideals of freedom and autonomy, connected to theoretical work by Wendy Brown, Judith Butler, and Saba Mahmood... While she is hardly alone in critiquing the flattened stereotype of the abject Muslim woman, Abu-Lughod brings refreshing new observations to this well-trodden ground... Abu-Lughod provocatively suggests that American feminism shares with older imperial agendas the political imperative to see Muslim women as particularly oppressed... This book is a great service to those of us who have long wanted for a resource we can recommend to explain why Muslim women do not need saving. Persuasive, generous, and insightful, Abu-Lughod asks us to bring our careful analysis, critical self-reflection, and constant recognition of our common but also differently expressed humanity to the table.-- (08/01/2015)The book's principal strengths lie in skillfully deconstructing the symbolic significance of a range of high profile 'moral crusades' involving Muslim women which have captured the global imagination. Abu-Lughod highlights how the most basic conditions of these women's lives are set by political forces that are often national or even international in origin even if they are local in effect...She argues that concepts such as 'oppression, ' 'choice, ' and 'freedom' are blunt instruments for capturing the dynamics and quality of Muslim women's lives in these places. In addition to revealing such characterizations as overly simplistic, Abu-Lughod also analyses the politics and the ethics of the international circulation of discourses about 'the oppressed Muslim woman.' She shows, for example, how debates on the veil and discussions of honor crimes are deployed as 21st century political projects. She writes passionately about the salacious and voyeuristic way in which such crimes are recorded, pointedly asking why knowing about the 'culture' has been seen as more important than exploring the story of the development of repressive regimes in the region. Equally, she highlights how in the West such discourses are unashamedly linked to xenophobic immigration policies. She warns of the risks entailed in such polarizing 'savior' discourses whereby feminism and even secularism are only seen as Western concepts...This book represents a necessary if uncomfortable intervention for those who may uncritically engage in the diverse range of clarion calls to save Muslim women...Abu-Lughod's book provides a richly evidenced and easy to read deconstruction of simplistic culturalist explanations of any phenomena which pertain to Muslim women in all their diversity. As with other postcolonial feminists such as Mohanty and Narayan her approach represents a useful analytical tool to explore contemporary controversies about the experiences of Muslim and other Other women in all their complexity.-- (02/19/2014)Sharply observed take on the Western impulse to save oppressed Muslim women and the wider political, legal and cultural issues at stake.--Marc Lynch"Washington Post blog" (06/30/2014)One of the book's great accomplishments is to present readers with concrete examples of women who explain their actions and justify their choices, instead of caricatured victims to be pitied and saved by enlightened others.--Joan W. Scott"Journal of Middle East Women's Studies" (03/01/2015)In accessible, lucid prose, Abu-Lughod explains how sensationalized memoirs, or 'pulp nonfiction, ' have perpetuated stereotypes and made Muslim women a symbol of an alien culture. The author dispassionately points out the hypocrisy of colonial feminism, and how more often than not, there is a clear political agenda behind the liberation of the 'women of cover' and how the role of the U.S. is often overlooked. The women presented here see their Islamic faith as a source of strength to fight injustice, not the cause of it. They're not asking to be rescued from their religion, the author contends, but from the discriminatory legal system, poverty, outdated patriarchal family traditions, and border controls that continue to inhibit their freedom. While offering no easy solution, the author recommends observation over moral crusades, stating: 'Anyone seriously interested in Muslim women's rights must follow them as they move.' This book is an excellent place to begin.-- (08/12/2013)Tracing connections from human rights groups and international feminist NGOs, to philosophy and anthropology, to best-selling memoirs of Muslim women and titillating pulp fiction accounts of Muslim women's suffering, Abu-Lughod argues that the West's perception of Muslim women as creatures in need of rescue is shaped by a confluence of powerful forces. Incisively argued and often sharply critical, Abu-Lughod's book--which will surely spark debate--is essential reading for anyone interested in women's rights in the Muslim world.--Leila Ahmed, author of A Quiet Revolution: The Veil's Resurgence from the Middle East to America

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About the Author

Lila Abu-Lughod is the Joseph L. Buttenwieser Professor of Social Science at Columbia University, where she teaches anthropology and women's studies.

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Product details

Paperback: 336 pages

Publisher: Harvard University Press; Reprint edition (September 7, 2015)

Language: English

ISBN-10: 9780674088269

ISBN-13: 978-0674088269

ASIN: 0674088263

Product Dimensions:

5.5 x 0.8 x 8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#408,341 in Books (See Top 100 in Books)

A vital, accessibly-written academic work about feminism, Islam, and how Muslim women are cast as objects needing saving--rather than humans with agency. This is an incredibly teachable work; I have used it in a variety of courses at the undergraduate level. Highly recommend this work to anyone interested in Islam, politics, feminism, and the constructs of empire.

While the author brings up topics that are important and should be discussed further, her arguments are flimsy and supported more by feeling than evidence. I found it hard to get through the book and couldn’t finish it.

Good reading

Please allow me to preface my comments: I have read the book start to finish. I have also read the footnotes. Other comments on this book, are not well acquainted with the work and have little ability to shed light on the book or its merits. Indeed, references to Hitler without having read the book are laughable. Please see "Huffman's Hitler Hypothesis" or "Godwin's Law" to see how little credibility or usefulness such claims have on an intellectual argument. They do, however, help to make Abu-Lughood's arguments that there is a gendered orientalism at play in how we think about Muslim women and their 'bondage' in an imaginary place, "IslamLand." the author has done 20+ years of field work in Egypt and other places, and she speaks based on her rich and varied field research. She takes to task the "pulp non-fiction pornography" peddled by many mostly journalists speaking on behalf of 'other women' in the last 20 years. In assessing this genre she laments the focus on the individual and the ways in which that focus on one, 'horrible' story fills in for the whole of the Muslim Woman's experience authorizing the West and 'governance feminists' (page 79) to intervene via 'honor tote bags' and other feel good capitalist ventures. It might be useful for people to watch Chimamanda Adhichie's TedTalk, "The Danger of a Single Story," The [...] <[...]> to gain a sense of the need for multifocal stories, community knowledge and longterm, rich ethnography that Abu-Lughood is working from and arguing for in her work.The book ultimately explores the political work done and allowed to be done on 'behalf' of women when we make claims on behalf to he universal at the expense of actual women's lives and experiences. Indeed what are the investments of NGOs as varied as the Women's Global Fund and the foundational work done by Laura Bush in the lives of 'suffering Muslim Women' in whose name the US has intervened in Afghanistan and waged a 10+ years long war? What violence--structural and immediate-- has happened because we in the west sent military operatives to Afghanistan? She noes that "women's rights provide a useful conduit for foreign intervention and government involvement" in the reordering of the social fabric of Muslim communities (page 171). Moreover, she works against the violence occasioned when we fight for justice as a removal from culture, as rights an a prior rather than culturally constructed and situated framework. She challenges feminists, NGOs, and various western to governments that "We should want justice and rights for women, but can we accept that there might be different ideas about justice and that different women might want, or even choose, different futures from ones that we envision as best?" (page 43) She cautions that "secularism has not brought about women's freedom or equality in the West." (page 19) and that it secularism in the Middle East or elsewhere would displace kinship bonds and framings that might prove more useful, and liberatory for many women.Ultimately poverty and globalization seem to be powerful forces that are tearing apart communities and leaving them vulnerable to forms of predation and exploitation. How do we women and their communities reposed in the face of multi-national corporations and elites who upend traditional patterns of sustainable life? (p.176, 194, 196)The book is admirable in its analytical abilities, but it is not without fault. One wonders what would have happened had she engaged her ethnographic subjects in more sustain dialogues about what they wanted their rights and freedoms to entail. Time and again her subjects dismiss notions of their repression, and invoke a narrative of progress--better access to education, more opportunity to have their rights protected both at the local/familial level, and by some government laws and regulations--but what more did these women want or need? We don't know. Additionally the issue of female genital cutting/mutilation is left unexamined--a small reference, but it is the elephant in the room. If choice and consent is a fraught concept as Abu-Lughood argues, then how should we frame our understanding of this practice that too often is performed on young women and girls without their consent without a clear choice of "no" being available to them? How might we have a conversation about this practice that allows us to critique the rhetoric of 'women held in bondage of IslamLand' as so many 'pulp non-fictions' do without resorting to the othering and rescue narratives she decries? It feels as if she left us in the lurch without a clear way through this issue.I should say that throughout the work she challenges us to look at the violence experienced by women in what we might call the Global North and she may respond that FGC/M are less prevalent than the domestic violence, rape, child sexual abuse, etc. faced by women in the Global North, but that answer would feel too trite and unpersuasive.In sum, the book is a terrific and learned critique of "women's rights are human rights" discourse and the work done in the name of rescuing muslim women.

Great book! Colonial feminism is properly addressed!

In trying to understand the complexities of human rights in a global world Lila Abu-Lughod brings many experiences and insights to helping the Westerners learn and understand these dilemmas. With many examples from Egypt and even Palestine the reader sees the complexity of issues and how difficult the prognosis of remedying the perceived problems can be. Although I did not agree with everything in this book that the author brought up many great points that are worthy of contemplation.The most powerful lesson learned in this book is one of humility, patients, and taking the time to listen to other cultures before we engage in trying to fix what we don't fully understand.And as those born in affluent countries we need to understand the power that we have and the responsibility that comes with it. Lila Abu-Lughod would challenge us to not be hasty with our conclusions and to try to understand where women in other cultures come from. Far too often outsiders come in trying to fix perceived problems in ways that may actually hinder those who are trying to be helped. Instead we must come in with humility seeking to learn first and asking important questions to those who we are trying to help.I would recommend this book to anyone who has the desire for humanitarian work or helping others.

One of the most insightful books I have ever read.

-Although the people in my discussion group were very critical of this book, I rate it highly because it gives a very different perspective, and we all need to look at serious subjects from different angles.-My peers' concerns seemed to be mainly two-fold: one was a distaste for the complex and confusing sentence structure with the overuse of semi-colons and one was a strong disbelief that women in any culture would hold values other than theirs.-Since I am a Christian woman living in the Southern USA, " saving" implies to me Christian conversion. That is not at all what Lila Abu-Lughod means. She is referring more to liberal women's libbers wanting to save Muslim women from oppressive male-dominated societies. Her contention is that, although all people ( men and women) in all cultures crave safety and respect, we also value such things as community,family, religious norms, etc.-If I understand correctly, this author advocates finding more options than the two opposites that seem to be generally proposed. That is one being Muslim extremism and the other being Western individualism.-My major disappointement was that I had expected we would have Christians, Jews, Muslims and agnostics in our discussion group and that we might have opened the door to cross-cultural dialog. That did not happen.

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Ebook Blue Notes in Black and White: Photography and Jazz, by Benjamin Cawthra

Ebook Blue Notes in Black and White: Photography and Jazz, by Benjamin Cawthra

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Blue Notes in Black and White: Photography and Jazz, by Benjamin Cawthra

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Review

“In Blue Notes in Black and White you sense an author consumed and excited by his subject. He’s synthesized loads of the literature and argument around jazz, and he builds particularly on recent works of historiography.” (Ben Ratliff New York Times)“Bold, ruminative and personal, jazz music poses a challenge to the ace lensman that is answered repeatedly in these pages. Namely, how to capture the elusive internal make-up of any given jazz musician in a two-dimensional image that acts as a portal to the artist’s soul. . . . Ideal reading while spinning Monk or Kind of Blue. Four stars.” (Colin Fleming MOJO Music Magazine)“Cawthra brings a deep appreciation for jazz and the photography that captured the ecstasy of the music and performing and the disappointments felt by black musicians subject to race discrimination and personal demons.” (Booklist)“This is a highly engaging and deeply engaged meditation on the development of the modern jazz photography tradition. Cawthra’s probing analysis of how ‘the photographic culture of jazz’ helped make jazz visible perceptively illuminates and contributes significantly to the fascinating, revealing, and ongoing debate surrounding not just the jazz image, notably the African American jazz image, but also jazz history, the meanings of jazz, and indeed the role of jazz in the making of modern American culture.” (Waldo E. Martin, Jr. author of No Coward Soldiers: Black Cultural Politics in Postwar America)“This first in-depth history of jazz photography provides the reader with a three-dimensional view of its fascinating subject, illuminating the music, the media, and the makers—the foreground and the background.” (Dan Morgenstern author of Living with Jazz)“Benjamin Cawthra, writing with grace and a formidable command of jazz history and American culture, makes us see the sounds, the social relations, and the myths of jazz as he ably uncovers the personal and institutional networks of musicians, writers, magazines, and record companies in which jazz photography developed. Even as Blue Notes in Black and White casts a sharp eye on photographic aesthetics—its pages brim with bracing insights into Gjon Mili’s informal but magisterial style, Francis Wolff’s use of chiaroscuro, and Herman Leonard’s concept of the sculpted face—it also works as a groundbreaking history of jazz criticism. At its best, this excellent book serves as a model for a multisensory music criticism: while reading it, I often felt I was hearing the music more deeply.” (John Gennari author of Blowin’ Hot and Cool: Jazz and Its Critics)“Cawthra traces the history of jazz photography from the 1930s to the 1960s through the stories of prominent, mainly African-American musicians (Miles Davis, John Coltrane) and the white men who photographed them for magazines and album covers.. . Analyzing photographs can get tedious quickly, but Cawthra wisely contextualizes them with anecdotes and stories that place the reader in the moment.” (Zócalo Public Square)

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About the Author

Benjamin Cawthra is associate professor of history and associate director of the Center for Oral and Public History at California State University, Fullerton.

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Product details

Paperback: 358 pages

Publisher: University of Chicago Press; Reprint edition (November 20, 2013)

Language: English

ISBN-10: 9780226100746

ISBN-13: 978-0226100746

ASIN: 022610074X

Product Dimensions:

7 x 1 x 10 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#3,125,508 in Books (See Top 100 in Books)

This was a gift for my brother who is into Black and White photography and Jazz so it was a natural! He seems to be enjoying it!

Interesting insight into America's African-american culture which has spreaduniversally in a single century.The author has given us a different "look" at thecreators of this wonderful genesis.

Cawthra's book examines the complexity of race, identity, and art. At a time when African Amercians are fighting for full and equal citizenship, jazz and its creators struggle to be seen as legitimate. Along the way another art form, photography, also gains ground as its burgeoning masters document the jazz scene and those who created it. The magnificent photos and the author's thoughtful look at the contradictions of equality and independence and art and entertainment in America make for a very enjoyable read. A great choice for any jazz or photography lover.

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Free Download Introduction to Marine Biogeochemistry

Free Download Introduction to Marine Biogeochemistry

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Introduction to Marine Biogeochemistry

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Product details

Hardcover: 928 pages

Publisher: Academic Press; 2 edition (February 13, 2009)

Language: English

ISBN-10: 9780120885305

ISBN-13: 978-0120885305

ASIN: 0120885301

Product Dimensions:

7.6 x 1.7 x 9.3 inches

Shipping Weight: 3.7 pounds (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#546,229 in Books (See Top 100 in Books)

Rented this book and the back cover is already falling off. It's only week 1 of school!

I ordered this book because a student I tutor had it for a textbook. It is an interesting topic. The book is not great but seems useable. I would like to see more worked examples.

This an excellent textbook for undergraduate and graduate students as well as for teachers. It full with additional material available online. As an oceanography teacher I highly recommend it.

Perfect. As promised.

This class just about killed me. The book didn't coincide with the lectures, which is of course a professor issue, not a book issue. As a biology person I don't recommend taking Marine Biogeochem in your first semester of grad school

In this text, Dr. Libes tackles the inter-relationship between all the sciences as they occur in the marine environment. She entertains the most complex concepts with pragmatic efficiency. It is a delight to read and work through, levaing you with a real sense of understanding. Excellent and resourceful, this text is a must for any serious Oceanographer.

Another great introductory textbook for Biogeochemical Oceanography. You will get the essential basics of this subject from this book.

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